The Oregon Cultural Trust supports arts, heritage and humanities nonprofits across the state of Oregon. And the Trust itself is funded by a unique tax credit: Donate to any of more than 1400 qualifying nonprofits by the end of the year, make a matching donation to the Trust, and receive the whole match back on your taxes.

If you’re not convinced, just take a look at these videos Sheepscot made to showcase some of the worthy nonprofits supported by the Trust, including Oregon Humanities and the Independent Publishing Resource Center.

To see more videos in our Voices of Oregon Culture series, visit the Oregon Cultural Trust’s website.


We had a lot of fun making this Oregon Culture IQ test for our clients at the Oregon Cultural Trust. How much do YOU know about Oregon culture? Take the quiz and find out!



The crowd and panelists

On Tuesday, October 7th at Mississippi Studios, Sheepscot Creative invited five panelists from Portland’s design, planning, and preservation communities to discuss our city’s architectural narrative. The conversation covered tremendous ground, but it revolved around one central question: What do the buildings we choose to construct, inhabit, restore, and demolish tell the world about us?

The panel was moderated by Sheepscot’s president, Dave Weich, and featured Joe Zehnder, chief planner at the City of Portland; Reiko Hillyer, assistant professor of history at Lewis & Clark college; Peggy Moretti, executive director of Restore Oregon; David Staczek, principal at ZGF Architects; and Portlandia production designer Tyler Robinson. (For more details on our guests, see “Meet the Panelists.”) More than 100 people turned out for the event, which also featured a reading from Live Wire head writer Courtenay Hameister and music from’s DJ Bobby D.

Portland Past Present Future: Our Architectural Narrative was a 2104 Design Week Portland event sponsored by

Event sandwich board

• Download an edited transcript of the conversation, or view the whole thing here.

• View a photo gallery of stills from the event.

• Read preview coverage from Portland Monthly and the Portland Business Journal.

• Listen to the complete audio recording on SoundCloud:


Portland is changing. Maybe you’ve noticed? Walking down Southeast Division or North Williams, it’s hard to miss the rapid growth and constant construction that have overtaken once-sleepy neighborhoods. (For a smart take on the topic, read Carl Alviani’s recent article “Repacking Portlandia.”)

Embedded in all of these changes are decisions that reflect what Portlanders value—what we choose to preserve, to demolish, to build, to celebrate. On Tuesday, October 7, as part of Design Week Portland, Sheepscot founder Dave Weich will moderate a conversation with five Portlanders who are involved in first-hand ways with those decisions.


“Being able to exercise judgement about what to protect and what not to protect—it’s a moment that cities have had forever. Even Portland.”

Joe Zehnder has served as the City of Portland’s Chief Planner since 2001; previously, he worked in planning and development in Chicago, Baltimore, and Vermont. 




“Our memories are encouraged by what we see. Stories become codified by what the landscape tells us. And what’s worth preserving is very much a political decision.”

Reiko Hillyer is an assistant professor of history at Lewis & Clark college, where she specializes in built environments and African American history.



Peggys Headshot 2013-cropped“People arrive in Portland and reflect on people’s friendliness, strangers connecting. What’s behind that? Some of it is the physical space in which we interact.”

Peggy Moretti is the executive director of Restore Oregon, which works to preserve historic buildings and to advocate for the environmental and social benefits of preservation.


staczek headshot“Recently, in terms of architecture, the Portland buildings that have risen to the top of the national picture all have a sustainability side to them. People are here because of their love and connection to the outdoors. It only seems logical that we’d be building in line with that.”

David Staczek is a Senior Designer at ZGF Architects, where he has focused on healthcare projects and multifamily residential projects around the country.  


“The best production design is the stuff you don’t notice—the feeling, sense, overall atmosphere. We try to maintain the look and feel of the city even though we might not be in a place that’s specific to the script. We don’t feel like we need to dress it up too much.”

Tyler Robinson is the Production Designer for the IFC comedy Portlandia; he’s created sets and props for all four seasons of the show so far.


In addition to the discussion, Live Wire’s Courtenay Hameister will share an original essay and DJ Bobby D will spin songs about buildings and cities. We’re excited, and so’s local media—the Portland Monthly wrote an in-depth preview about the show, and the Portland Mercury called it a Design Week Portland “highlight.”

Design Week Portland: Portland Past Present Future: Our Architectural Narrative, Mississippi Studios, 3939 N Mississippi, Tuesday, October 7th, 7pm, $14, tickets:


Show us your Portland, Portland

by Dave Weich on September 18, 2014

What building—existing or long-since demolished—says ‘Portland’ to you?

Post a photo or a few short sentences in the comments section below. Everyone who posts (including you!) will be eligible to win one of two $30 gift certificates to Mississippi Studios. We’ll pick and announce winners on October 4th.

What got us thinking about Portland buildings? On October 7th, we’re joining Design Week Portland and to host Portland Past Present Future: Our Architectural Narrative.

See what we have planned and click for tickets.


For months, we’ve been working on the launch of a program called Narrative Mechanics. Find more information about it here and here.

For a couple years now, we’ve been working with Holly Andres on a series of portraits for the Oregon Cultural Trust. Apart from that, we’re big fans of her fine art photography.

In considering subject matter for Narrative Mechanics, I immediately thought of Holly’s work. She tells such rich stories—using only still photographs. With such a storytelling bug, I wondered, why not make movies instead? That one question led to many others. Before long, I was interviewing Holly to get some answers.

Ten weeks after that initial interview, here’s the result.

Wondering how we made this video? Read about our process.


Portland-based Community Inspired Professionals believes that business and community can thrive together. I’m pleased to be joining the group on Thursday morning to share some lessons about marketing.

Come join us! A good crowd is expected, but I’ve been assured that it’s not too late to RSVP.


Up! Up! Up with clients! We’re positively thrilled about the Oregon Cultural Trust’s 2013 fundraising results: a 25% increase over 2012 through the Willamette Week Give!Guide, with a $100,000 increase in giving on the last day of the year alone! Plus almost 1,000 new Facebook likes.

Here’s one, extra large (48-feet wide, to be exact) element of our campaign: the billboard we designed using Holly Andres’ photograph of Cheryl Strayed from our work with Holly in 2012. It spent six weeks at two locations in downtown Portland.

Read all about it in the Cultural Trust’s eNews.